Lyrics

Louis Armstrong - Rockin’ Chair

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original text at mamqa.com/ulyricsnew/louis-armstrong-rockin-chair-1804049
〈Verse 1: Jack Teagarden, (Louis Armstrong)〉
Old rockin' chair's got me (Old rockin’ chair got you, father)
Cane by my side (And your cane by your side)
Fetch me my gin, son (You know you don’t drink gin, father)
‘Fore I tan your hide (My hide’s already tanned)

〈Verse 2: Jack Teagarden, (Louis Armstrong)〉
Can't get from this cabin, old cabin (What cabin? Joking father, yes)
Ain't goin' nowhere (You ain't goin' nowhere, yes)
Just sittin' here grabbin' (Grabbin')
At the flies round my rockin' chair (Rockin' chair)

〈Bridge: Jack Teagarden, (Louis Armstrong)〉
Now, do you remember dear old aunt Harriet?
(Yes, I remember old Aunt Harriet)
How long in Heaven she be?
(Oh, she been up there about a year and a half, father)
Send me a sweet chariot (scat)
For the end of the trouble I see (My sweet chariot)

〈Verse 3: Jack Teagarden, (Louis Armstrong)〉
Old rockin' chair’s got me Louis, got me
(Old rockin’ chair get it, father)
And the Judgement Day is comin’ up on me
(Tell ‘em ‘bout it father)
Chained to my old rockin' chair
(Boys, take it out strong)
〈Verse 1: Louis Armstrong, (Jack Teagarden)〉
Look like old rockin’ chair’s got you, daddy
(I can’t move a peg, Louis)
Yeah, look like your cane layin’ down there by your side
(Well, I use it for a trombone sometimes) yes sir
But I got no gin father, yes
(Yeah, well you better now)
Yes, look like you gonna tan my hide
(No, I’m gonna forgive you this time)

〈Verse 2: Louis Armstrong, (Jack Teagarden)〉
Now, you can’t get from this cabin
(Mmm, what cabin?)
No father, yes (Yeah?)
But you ain’t goin’ nowhere
(I never been where I was goin’, I ain’t goin’ anymore)
Diggin’, diggin’
You sit here grabbin’ (Yeah)
You grabbin’ (yeah), you grabbin’ (what?)
At the flies round the old rockin' chair, rockin' chair

〈Bridge: Louis Armstrong, (Jack Teagarden)〉
Now look here father (Yeah?)
You remember old Aunt Harriet, don’t you?
I know you remember
(Yeah! Yeah, I know her pretty well but not that well) Scat
A chariot, a chariot
(I got the ride, yeah I gotta have a chariot)
Curse the time it troubled both of us this evening
(Nobody knows the trouble I’ve seen)
〈Verse 3: Louis Armstrong, (Jack Teagarden)〉
Now old rockin’ chair get it (yeah)
Now rockin’ chair get it (mmm hmm)
And Judgement Day
Yes Judgement Day is here, Judgement Day is here
Is sittin’ here chained to ya rockin’ chair
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Louis Armstrong - Biography

Louis Armstrong, known throughout his lengthy career by nicknames like “Satchmo”, “Pops” and simply “Louie”, was a trumpeter, composer, singer and occasional actor, as well as one of the most influential figures in the history of jazz.

Born and raised in New Orleans, where jazz itself is alleged to have began, Armstrong started his career in 1918, playing the cornet in brass bands and riverboats along the Mississippi River. There, he caught the attention of his future mentor, King Oliver, joining his band in Chicago, where he networked with other popular jazz musicians like Hoagy Carmichael and his first wife Lil Hardin Armstrong.

In 1924, Louie relocated to New York City playing for the Fletcher Henderson Orchestra. It was at this time he switched over from cornet to trumpet in order to blend in better with the other musicians in his section. It was also when he developed his emotional playing style, which included singing and telling tales of his life back in New Orleans.

The next year, Armstrong formed his own band, playing for notorious gangsters of the era like Al Capone and Dutch Schultz. He began to emerge as a vocalist as well, pioneering what is known today as “scat singing”.

He is probably best known for covering songs that are now considered standards, such as “La Vie En Rose” and “What a Wonderful World”, only two of his nineteen records to hit Top Ten in the Billboard charts. He is recognizable globally due to his gravelly voice, and by the 1960’s, he was regarded as a widely beloved American icon and cultural ambassador for jazz.

Armstrong was also one of the first black public figures to be widely accepted into white society, both on stage and off of it. He played with some of the biggest figures in jazz, both black and white, including Duke Ellington, Bing Crosby and most famously Ella Fitzgerald.

He also starred in over a dozen Hollywood films and hosted his own nationally broadcast radio show.
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