Lyrics

Louis Armstrong - That’s My Desire

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original text at mamqa.com/ulyricsnew/louis-armstrong-thats-my-desire-1804044
〈Verse 1: Velma Middleton〉
To spend one night with you
In our old rendezvous
And reminisce with you
That's my desire

〈Verse 2: Velma Middleton〉
To meet where gypsies play
Down in that dim cafe
And dance till break of day
That's my desire

〈Bridge: Velma Middleton〉
We'll sip a little glass of wine
I'll gaze into your eyes divine
I'll feel the touch of your lips
Pressin’ on mine

〈Verse 3: Velma Middleton, (Louis Armstrong)〉
To hear you whisper low
Just when it's time to go
(I’m ready to go right now baby)
Darlin’, I love you so
That's my desire, I’m gone Satch
(Come back here gal, why you going there?)
〈Verse 1: Louis Armstrong, (Velma Middleton)〉
To spend one night with you
In our old rеndezvous
And ball it up with you
That's my desire (minе too)

〈Verse 2: Louis Armstrong, (Velma Middleton)〉
To meet where gypsies play
Down in that dim cafe
We’ll dance (oh no)
Yes, that's my desire

〈Bridge: Louis Armstrong, (Velma Middleton)〉
We'll sip our little glass of wine
(Our little musky tail)
I'll gaze into your eyes divine
I'll feel the touch of your chops
All wrapped up amongst mine, very juicy

〈Verse 3: Louis Armstrong, (Velma Middleton)〉
You whisper low
Doggone, it's time to go (oh shucks!)
Darlin’, I love you so
That's my desire (that's my desire)

〈Coda: Velma Middleton, (Louis Armstrong)〉
Though you found someone new (scat)
I'll always love you (scat, woah yeah)
That's my desire (that's my desire)
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Louis Armstrong - Biography

Louis Armstrong, known throughout his lengthy career by nicknames like “Satchmo”, “Pops” and simply “Louie”, was a trumpeter, composer, singer and occasional actor, as well as one of the most influential figures in the history of jazz.

Born and raised in New Orleans, where jazz itself is alleged to have began, Armstrong started his career in 1918, playing the cornet in brass bands and riverboats along the Mississippi River. There, he caught the attention of his future mentor, King Oliver, joining his band in Chicago, where he networked with other popular jazz musicians like Hoagy Carmichael and his first wife Lil Hardin Armstrong.

In 1924, Louie relocated to New York City playing for the Fletcher Henderson Orchestra. It was at this time he switched over from cornet to trumpet in order to blend in better with the other musicians in his section. It was also when he developed his emotional playing style, which included singing and telling tales of his life back in New Orleans.

The next year, Armstrong formed his own band, playing for notorious gangsters of the era like Al Capone and Dutch Schultz. He began to emerge as a vocalist as well, pioneering what is known today as “scat singing”.

He is probably best known for covering songs that are now considered standards, such as “La Vie En Rose” and “What a Wonderful World”, only two of his nineteen records to hit Top Ten in the Billboard charts. He is recognizable globally due to his gravelly voice, and by the 1960’s, he was regarded as a widely beloved American icon and cultural ambassador for jazz.

Armstrong was also one of the first black public figures to be widely accepted into white society, both on stage and off of it. He played with some of the biggest figures in jazz, both black and white, including Duke Ellington, Bing Crosby and most famously Ella Fitzgerald.

He also starred in over a dozen Hollywood films and hosted his own nationally broadcast radio show.
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